Post
by Dimas » Mon Aug 20, 2007 12:13
I found Ksendzuk in the book "Thresholds of snovideniya" on described above me feel...Hmm...Quite interesting.
"...SENSORY AND MENTAL CONSTRUCTS
We already know that the practitioner is faced with the hyperproduction of the tonal during the most psychotechnical procedures direct shift vehicle. However, the transformational effects that are activated by exercise, can have a kind of "echo" and cause spontaneous experiences against the backdrop of everyday life of the first attention. Most often it is the product of the first and second level ("superficial" or "dreamy"). They are in most cases presented visually (at least the visual channel is the most "demonstrative", and unusual phenomena visual type pay special attention, easy to remember).
Auditory and kinesthetic design can have a strong influence on the character of everyday mental activity, standing by, on the periphery of awareness. The hearing may present collected from background noise patterns, usually primitive (buzz, swish, crash). We take them for ordinary "noise." (For example, able to slow the internal dialogue we suddenly "hear" a sharp click or move behind a wall. Hardly anyone knows about these sounds their own product, as we believe that he really heard something real.) When accumulated tension of perceptual energy, from a touch of chaos comes a more complicated design – you can hear your name or some word, pronounced in silence. Such fluctuations in perception are rare, and we like to reflect on the mystery of their origin.
Kinesthetic indulges us inexplicable sensations that come on for a few seconds, and then disappear, if not to attract special, "making" focus. It can be touching, quickly passing numbness or tingling some of the body points, bizarre sensations coming from the internal organs.
All quite harmless until the practitioner begins to take this seriously. In any case it is not necessary to indulge oneself in a mystical fantasy (spirits, allies, brownies, letters from parallel worlds, etc.). And it is not just the obvious dangers of such fixations for mental health, but also that we, being engaged in psycho-energetic practices that can sometimes "produce ghosts" – they will distract and Deplete your attention.
Rare and unsafe phenomena is the spontaneous output of the deep and archetypal products. Because it is always associated with a powerful emotional impulses, with content of high importance, meeting with them always seems to be something fateful. Remember the most important in this case, the commandment of don Juan – believing, not believing.
Do not forget that collecting the power of perceptual products is closely connected with logic, mindset and character of the construction of images and concepts. Mental constructs can carry alien first attention to logic and a particular type of dreamy creativity. Here we find exceptional freedom of combinations, the results of which the first may seem completely insane.
Specifically I want to focus on these mental aberrations in detail. No harm from them while we are turning such oddities to an object of reflection and analysis. In proselochnoy condition and in the moment of falling asleep we can easily ignore them by referring to the unreal realm of pure imagination. Awake (often in a state of fatigue or distraction, passion monotonic processes), they become relative reality. If you are a creative, energy of such constructs finds their appropriate application. Otherwise, bring coloring paranoid worldview and the worldview. Many occult ideas when they were overloaded with detail, bound in a bizarre way, have inspirational source in such a "dreamy thinking". They abused the European alchemists, Kabbalists and some Theosophists. In order not to provoke the magic paranoia, avoid meaningless thoughts provoked by the dreamlike mental constructs..."
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Lie listen to the text, but never listened on purpose, and suddenly I went to another text, listen to text changes focus, the text is returned several times. When I woke up or woke up to remember the text could not only remember what the text was changed in response to the condition. Felt fine after. 
(C)